A very good article appears in the New York Times today covering US soldiers in Iraq and Afghanistan who have written amazing poetry, fiction, and memoirs about their experiences of the two wars. This is not the first time soldiers have written about the battlefield: the Bello Gallico and All Quiet on the Western Front are two good examples. But the article does a great job getting to why today's soldiers feel compelled to write. Its explanations of the themes these authors explore was illuminating for me.
Pimp My Book: A Hardcover for Your E-Reader
It seems some products are made just for this blog. If you're a regular reader, you're sure to love the BOOK. With a time-honored name, this product will protect your Kindle, Macbook, or iPad while styling it in a way that may be just a little familiar to you. Take a look after the jump:
Century-Old Poetry Society of America Finds Fulfillment Online
You may not be able to teach an old dog new tricks, but poets have no trouble learning new things. There's no better example than the New York-based Poetry Society of America, which celebrates its 100th anniversary this year. The PSA has long been a great supporter of poems and poets across the country, and in the past few years it has embraced the online world wholeheartedly.
Labels:
poetry resources,
social networking,
twitter,
websites
The New York Times Flirts with Openness and Can't Make Up Its Mind
One of the big stories of last week was the announcement from the NY Times that they would be implementing a so-called 'paywall' around their content, requiring readers to pay to view more than a certain number of articles. This has caused quite a dust-up in the online journalistic community, and has been viewed as a blow to openness on the web.
This is undoubtedly an important tech story, but alone it doesn't have much to do with poetry. A few days ago we intended to publish an article on this blog pointing out the vast amount of metadata the Gray Lady released beginning last year on data.nytimes.com. This is basically an online version of the fantastic New York Times Index, which is essentially a list of all the topics used in the newspaper going back decades. It's an important document for vocabulary in American English, and certainly having this information available as linked open data, along the lines of Project Gutenberg, is something of interest to anyone who deals in words.
Labels:
creative commons,
journalism,
open source,
vocabulary
'For Better for Verse': Learning Meter Interactively
There's been so much great poetry and book news this week that I'm struggling a little to keep up with it all! First off, an essay of mine has appeared in the newest issue of the online arts journal, Escape Into Life. I've admired the work of the editors and artists at EIL for some time, and it was exciting for me to get a chance to write for them. The essay has to do with Pride and Prejudice and Zombies, and with how literary mash-ups are a new form of literary criticism.
Too much poetry news is never a bad thing, but it does mean that choices have to be made about what makes it to the blog and what gets put off for another week. Today's post, however, was a no-brainer. A new tool from the University of Virginia Department of English, in partnership with their tech-savvy library, allows users to interactively assign traditional markers of meter to poetry. The interface, wryly called For Better for Verse, then checks your work to see if you've correctly assigned the stress, feet, meter, and rhyme. Screenshot after the jump:
Too much poetry news is never a bad thing, but it does mean that choices have to be made about what makes it to the blog and what gets put off for another week. Today's post, however, was a no-brainer. A new tool from the University of Virginia Department of English, in partnership with their tech-savvy library, allows users to interactively assign traditional markers of meter to poetry. The interface, wryly called For Better for Verse, then checks your work to see if you've correctly assigned the stress, feet, meter, and rhyme. Screenshot after the jump:
'Weird Book Room' Invites You to Sit Down and Freak Out
AbeBooks (UK), an online bookseller, brings us the fabulous Weird Books Room, which features all things odd in the literary world. You may be familiar with the equally wonderful Rare Books Room, but the Weird Books Room is decidedly different. Showcasing books like Summer with the Leprechauns: A True Story, Spaghetti Art Ware: Poodles and Other Collectible Ceramics, and Ductigami: The Art of the Tape, the list is full of little unknown treasures, however strange they may be.
But the whole idea of categorizing a group of books as 'weird' raises a number of issues. What exactly makes a book 'weird'? Are the compilers of the Weird Book Room and those who suggest books judging them by their covers? Has the publishing industry's preference for catchy titles created a cottage industry for 'weird' books?
But the whole idea of categorizing a group of books as 'weird' raises a number of issues. What exactly makes a book 'weird'? Are the compilers of the Weird Book Room and those who suggest books judging them by their covers? Has the publishing industry's preference for catchy titles created a cottage industry for 'weird' books?
Google Docs Can Revolutionize Your Poetic Lifestyle
Since I returned from my brief holiday hiatus, I put some thought into what would be the first post in Twenty Ten. I decided to go with a tool that's been around for a while, and one that has a great many applications outside of poetry. However its implications for creative work are what makes it particularly compelling to me.
Google Docs is a web-based document-processing product that's been around in some form since late 2006, but I'm routinely shocked by the number of people who've never heard of it or think it has no use to them. Docs is Google's ace in the whole when it comes to dealing with Microsoft's juggernaut Office product. And for those of you who regularly use Microsoft Office, Google Docs will look almost eerily familiar to you:
Google Docs is a web-based document-processing product that's been around in some form since late 2006, but I'm routinely shocked by the number of people who've never heard of it or think it has no use to them. Docs is Google's ace in the whole when it comes to dealing with Microsoft's juggernaut Office product. And for those of you who regularly use Microsoft Office, Google Docs will look almost eerily familiar to you:
Labels:
google,
word processing,
writing
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